| Ultra Tele |
600 - 800 mm |
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The best ultra tele prime in the database and the lens of choice of many of the world's best wildlife photographers.
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| Super Tele |
400 - 500 mm |
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A mainstay of Canon sports and wildlife photographers around the world.
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| Long Tele |
200 - 300 mm |
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Great for indoor sports and performance photography, but also a superb portrait lens.
Alternative:
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Tele |
135 - 180 mm |
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Easily the best 135mm full frame lens to date, independent of lens mount. Great for portraits, live music and street photography.
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Short Tele |
85 - 105 mm |
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The best lens in the database.
Alternative:
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Normal |
45 - 55 mm |
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One of the best lenses in the database. Great for product photography and landscapes, but thanks to superb bokeh also a very good choice for portraits.
Alternative:
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| Wide |
26 - 35 mm |
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| The best full frame wide lens
currently available.
Alternative:
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| Super Wide |
18 - 25 mm |
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| The best full frame super wide
lens currently available.
Alternative:
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| Ultra Wide |
14 - 17 mm |
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The best full frame ultra wide lens currently available.
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| Fisheye |
< 14 mm, curvilinear |
TBD |
| Macro |
50 - 200 mm, 1:1 |
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Neither new nor flawless, but still overall the best choice for Canon macro photography.
Alternative:
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| Tele Tilt/Shift |
85 - 105 mm, tilt/shift |
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Superb optical performance in an extraordinarily well-made body. Great for product photography.
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| Normal Tilt/Shift |
45 - 55 mm, tilt/shift |
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Like its longer focal length sister, this lens combines great optical performance with super high quality mechanical engineering. Great for architecture, product photography and landscapes.
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| Wide Tilt/Shift |
17 - 28 mm, tilt/shift |
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Tried and tested good quality wide angle tilt/shift lens for architecture and landscape photography.
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